…The music of Gavin Bryars falls under no category. It is mongrel, full of sensuality and wit and is deeply moving. He allows you to witness new wonders in the sounds around you by approaching them from a completely new angle. With a third ear maybe… Michael Ondaatj
Arcana performs Gavin Bryars medieval inspired “Laude” (songs) with improvised interludes by electronic musician Jesse Kudler.
English composer Gavin Bryars (b. 1943) emerged in the late 60s, playing bass with improvisers Derek Bailey and Tony Oxley, and working with composers John Cage, Cornelius Cardew and John White. His first major works – The Sinking of the Titanic (1969), originally released on Brian Eno’s Obscure label in 1975, and Jesus’ Blood Never Failed Me Yet (1971) – were remarkable for their juxtaposition of music concrete and found sounds with rich, beautiful harmonies.
Since 2001 Bryars has been writing a number of pieces based on a large collection of 13th century ‘Laude’ -short mediaeval devotional songs to the Virgin Mary. Bryars notes, “Over the last few years I have written a number of pieces for unaccompanied voice based on the texts and format of the “lauda”, a large collection of songs which appears in a manuscript collection from thirteenth-century Cortona. These laude are religious (but non-liturgical) songs that were performed outside churches and in other public places. In setting these texts for voice I do not imitate the style of the original but rather the spirit and form, and also relish the challenge of writing something quite austere and self sufficient.”
Lauda Dolce II for solo viola
It Never Rains for electric guitar, viola, cello, double bass
Tre Lauda Dolce for solo cello
Laude Cortonese Vol. 3 for soprano, tenor, viola, cello, and double bass
Lauda: The Flower of Friendship for electric guitar, viola, cello, double bass
Alize Rozsnyai, soprano
Bryan Umberto Hoyos, tenor
Brendan Evans, electric guitar
Veronica Jurkiewicz, viola
Julia Morelli, cello
Matt Engle, double bass
Jesse Kudler, electronics